Majo Miselem

Graduate of the National School of Theatrical Art with a degree in Set Design (with a focus on
(in Costume Design). From 2016, she was involved in various productions at the Center for Artistic Integration (CIA) in Metepec, working in the production department for semi-professional musicals such as "The Addams Family" and "Shrek: The Musical." In 2018, she worked as a Set Design Assistant for the opera "Aida" at the Morelos Theater. Also in 2018, she served as a costume designer for the Quarto Acto company for their production of "Doctor Fo."

Since 2019 she has been part of “Trama & Drama” working in various areas such as texturing, coordination and costume assistance in works such as “The Tales of Hoffman” “1984”, “Money Heist: The Experience”, “The Prom”, “Wait Until Dark”, “NETWORK”, “QUERIDA”, “WOYZECK” and “The Body I Was Born In.

She designed the costumes and production for "Un Dios Salvaje" directed by Bruno Bert for the ENAT academic season (2022) and the "ENAT a la escena" season at the Centro Cultural del Bosque.

She has also worked in production, lighting design, and set design on projects such as “Escala Demorada” by Epiestía Teatro (Production, 2019), “La Última Cena” by Implosión Teatro (Set and Lighting Design, 2019), and “La niña del Bosque.”
(Lighting and production, 2019) and the “Gran Festival de Chapultepec” (Production, 2021). Since 2022, she has been part of the collective Las Moscas que vuelan al revés, with whom she works as a set designer, costume designer, and lighting designer for plays such as FISHTANK (La Capilla), “Anti-gona Pachakuti” (Xalapa), and “Seguir comiendo aunque sea jueves” (El Milagro).